update: 2026.9.3

Born in Yokohama, Japan. Lives and works in Tokyo. Graduated with an MA from The University of Tokyo (Interdisciplinary Information Studies) in 2026.
Artist, researcher, and improviser working across sound art and interdisciplinary practice through performances and installations using self-built devices, exploring DIY practices as a means of technological and creative autonomy. Her interests are gaps between instruments and embodiment and communication technologies and improvisation,. Based on them, seeking the poetry and narratives they evoke. Graduate of Musashino Art University, IAMAS, and the University of Tokyo.
Recent exhibitions:
2026 "ICC Annual 2026: What Is Left, What Remains, and What We Take on," NTT InterCommunication Center [ICC], Tokyo
2025 "shiseido art egg #18 'Any girl can be glamourous'," Shiseido Gallery, Tokyo
2024 "OPENSITE 8 'About Migration'," Tokyo Arts and Space Hongo, Tokyo
2024 "Treasure Hill Light Festival," Treasure Hill Artist Village, Taipei
2023 "Tokyo Biennale," Various locations in the Higashi-Nihonbashi/Bakurocho, Tokyo
Recent awards and grants:
2026 Lumen Prize 2026, Legacy Futures Award, Finalist, Lumen Art Projects (UK)
2025 #18 shiseido art egg award, Shiseido Gallery (Tokyo)
2022 NYC Fellow Ship, Asian Cultural Council (Tokyo)
2021 24th Japan Media Arts Festival Art Division, Jury Selection
For the recent years, through my experience of improvising via video chat during the COVID-19 pandemic, I became interested in the gap between what is and is not transmitted through communication. What gets through, and what does not? What do communication technologies, designed to transmit information transparently, make invisible in the process? I am interested in the hidden histories, relationships, and stories that emerge between sending and receiving. Through self-built devices using sound, light, and radio waves, I explore what is lost, transformed, or unexpectedly created through acts of transmission.

Mercurius, 2025, Photo: KATO Ken

Resistance Array, 2026, Photo: NISHINO Masanobu

Any girl can be glamorous, 2025, Photo: KATO Ken

piano would be too large to fi t in a torpedo, 2025, Photo: KATO Ken

Birds Notation, 2023

Secret Communication System and Cola Tablets, 2025, Photo: KATO Ken