OPEN SITE 11 | Open Call Program【Exhibition】
This installation employs moving images, monitors, soil, and construction materials to make visible the labor that goes into advertising, construction, and AI image generation. Just as advertising conceals production processes and presents only images designed to encourage consumption, and scaffolding and signs of labor disappear from a completed building, AI image generation likewise depends on invisible labor such as collecting, sorting, and reviewing data. When labor and bodies that have been rendered invisible emerge through gaps in the systems that support society or cracks in finished surfaces, an “error” appears.
| Period | Nov 21 (Sat) - Dec 20 (Sun), 2026 |
|---|---|
| Time | 11:00-19:00 |
| Closed | Mondays (except Nov 23), Nov 24 |
| Venue | Tokyo Arts and Space Hongo: Space A (1F) |
| Admission | Free |
| Cooperation | Dai Ruiyan (dpbq design Inc.), Ghada Hadil Ben Fredj |

A cleaning, 2025
Pass II, 2025
Land, 2026
| Date | Nov 23 (Mon), 2026 14:00- |
|---|---|
| Artist | LIU Zihan |
| Guest | Ghada Hadil Ben Fredj (Curator, Researcher) |
| Venue | Tokyo Arts and Space Hongo: Space A (1F) |
| Admission | Free |
| Language | English |
Born in 2000. Lives and works in Tokyo. Currently enrolled in the Printmaking Research Area, Graduate School of Fine Arts, Tokyo University of the Arts, Liu works with moving images, AI-generated imagery, and installation to address vestiges of the body, labor, and memory that are obscured within technological and social systems.
Instagram: @envel320