update: 2018.2.1
Graduated from Columbia University (MfA) in 2007 and University of the Arts Berlin (MfA) in 2008.
Recent 5 main activities (personal exhibitions, group exhibitions, concerts) are
- Kerstin Brätsch. Innovation, SOLO, Museum Brandhorst, Munich, 2017
- Full-Fall Presents Kerstin Brätsch [Poli'ahu's Cure], SOLO, Gió Marconi, Milan, 2016
- DAS INSTITUT, SOLO, Serpentine Sackler Gallery, London, 2016
- Whitney Biennial, GROUP, Whitney Museum of American Art, New York. As KAYA, 2017
- Painting 2.0: Expression in the Information Age, GROUP, MuMoK, Vienna. As KAYA, 2016
Other activities are
- Edward Munch Award, Oslo, 2017
- Guest Professor at Hochschule für Bildende Künste Hamburg, Germany
- August Macke Price, Germany, 2014
My practice as a painter spans a diverse range of media, including works in glass, in the marbling technique, but also performances and installations. Defined by a collaborative approach, and by understanding painting as a medium of exchange, I chose to share my practice with artist colleagues such as Adele Röder (DAS INSTITUT, since 2007), Debo Eilers (KAYA, since 2010), and Ei and Tomoo Arakawa (UNITED BROTHERS, since 2011), with all of whom I have widely exhibited. In addition, in 2017/18, I have been teaching as a guest professor for painting at the Art Academy in Hamburg, Germany, which resulted in a workshop with my students as part of the collaborative project KAYA in Naples, Italy.
Installation view of Innovation, Kerstin Brätsch at Museum Brandhorst, Munich, 2017
Installation view of Innovation, Kerstin Brätsch at Museum Brandhorst, Munich, 2017
Unstable Talismanic Rendering_ Schrättel (with gratitude to master marbler Dirk Lange), 2017
Installation view of Full-Fall presents Kerstin Brätsch [Poli'ahu's Cure], Kerstin Brätsch at Gio Marconi, Milan, 2016
Installation view of N.O.Madski presents KLUB KAYA, KAYA (Kerstin Brätsch & Debo Eilers) at Deborah Schamoni, Munich, 2015
Taiyo no tate (Sunstorm) Green Flash / Blue Flash, 2012, DAS INSTITUT and UNITED BROTHERS, video, color, sound, 4:21 mins